Gallery

The Singlecut Basses are my most popular shapes! From the tiny and comfortable Ryan to the mighty chambered Anne!

Clement #067

This bass is my second fretted bass. It has a Zircote top over a Swamp Ash body. All Bartolini electronics with Gibson Thunderbird pickups. The bridge is a Hipshot "A" style and the tuners are Gotohs.

Clement #064

This is a narrow 34” scale 5 string tuned E A D G C. The bass, body and neck, is made of Paduak and the fingerboard is Pernambuco. The pickup is a Q-Tuner. The bridge and tailpiece are Ebony.

Clement #063

This is a 34” scale piezo bass with a figured maple top mahogany core with ash wings. The neck is Mahogany and Wenge with a lined Pao Ferro fingerboard the finish is Danish oil and wax.

Clement #062

34” scale "Alto-bass" (Tuned C#, F#, B, E-a major sixth above standard tuning). The body features ash wings with a mahogany core and a spalted maple top. The five piece neck is constructed of maple and has Brazilian cherry stringers and a spalted maple epoxy coated fingerboard. A single, passive, Basslines soapbar pickup in the bridge position makes it sing.

Clement Ryan #061

34" Clement Ryan 4-string fretless. Body is swamp ash, BassLine Jazz pickups, maple neck with epoxied flame maple fingerboard.

Clement Ryan #047

This is the first Ryan bass, and is a 34" 4-string fretless. The body is Honduran mahogany with a bookmatched spalted maple top. The bass features my special singlecut pocket and 6-bolt neck joint. The bridge is a Wilkinson and the pickups are active EMGs. The controls are volume, volume and a master tone. The neck is a sandwich of maple and bubinga, with a two-octave bookmatched spalted maple fingerboard with a Bubinga substrate for strength. It also has a thick layer of Mirror coat epoxy over it for that extra wear ability and fretless zing. The tuners are Gotoh. The headstock has the signature on the back.

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